The dissolution of enunciation in the fictional universe Juan José Saer’s novel Nadie nada nunca

Authors

  • Adrian Bertorello Universidad de Buenos Aires (Argentina)

DOI:

https://doi.org/10.32735/S0718-2201202000051845

Keywords:

Enunciation, semiotics function, Geviert, intimacy

Abstract

Juan José Saer tells in the novel Nadie nada nunca the dissolution of the Enunciation instance. One of the narrative motive in that this topic reveals is the intersubjective relationship of intimacy. Among other topics, the novel tells the impossibility to set an intimacy bound between the bodies. Hence, it is possible to talk about an antiphenomenological narrative model. The own body as fundamental Enunciation instance doesn´t show itself as the original place of meaning. To bring to light this motive of corporal intimacy in the fictional universe of Nadie nada nunca this paper uses, as lecture criterion, the Heideggerian Concept of intimacy (Innigkeit).

Downloads

Download data is not yet available.

Author Biography

Adrian Bertorello, Universidad de Buenos Aires (Argentina)

Universidad de Buenos Aires (Argentina)

Published

2020-12-09

How to Cite

Bertorello, A. (2020). The dissolution of enunciation in the fictional universe Juan José Saer’s novel Nadie nada nunca. ALPHA. Revista De Artes, Letras Y Filosofía, 2(51), 57–70. https://doi.org/10.32735/S0718-2201202000051845

Issue

Section

Articles