About the anthropodicea of the animal-man and his technological prostheses

Abstract

This article carries out a genealogy of the concept of animal-man in the field of the philosophy of technique and technique itself as a prosthesis or extension of the human body, from Oswald Spengler and José Ortega y Gasset to Arnold Gehlen and Marshall McLuhan. At the same time, since this zoological definition of the human being supposes a technical and technological anthropodicey, it analyzes the transformations of the world that it produces and of the same subject involved in this process. With which the biotechnological phenomena of late modernity are shown as an extremely problematic horizon and no longer deductible from the prosthetic lexicon.