The new word in its place: flows and profanatory attempts, ficcional becoming

Abstract

This paper analyzes Guión (Héctor Hernández Montecinos) from the perspectives of flow (Deleuze) and defilement (Agamben) to provide a kind of poetic production that stresses a problem of language: if the language is or is not a representation of a subject that is assumed in writing. For this case, it is postulated that the speaking subject is not represented in the language. What is in this reading are only residuals, or fictional becomings of a possible subject
that is profaned in language. Therefore, this poetic language is exposed as mental delusions to speak about poetry, history and ways of understanding reality.